Copyrights in Architecture

Copyrights in architectural designs may be registered as architectural works or as drawings (“pictorial, graphical or sculptural works”). The decision can be critical to the viability of an infringement claim. Here’s why.

Samphel v. Wu

Tenzin Samphel, Xiaoyu Gu, Chef Creative Offices, Inc., and Design Next Agency, Inc. filed a complaint against Lily Qiaorong Wu, Shuxian Yu, Shuaicheng Zhang, Moge Tee Blacksburg, LLC, and Blacksburg Fusion Restaurants, LLC alleging claims of defamation and infringement of copyrights in architectural and interior designs. Defendants moved to dismiss copyright infringement claims. The court granted the motion. Samphel v. Lily Qiaorong Wu, No. 7:25-cv-00710-EKD-CKM (W.D. Va. Jul. 15, 2026).

The complaint alleged that plaintiffs, through companies they operate, were hired to provide design and constuction services for a bubble tea shop and a restaurant. The owners allegedly terminated the contracts and hired other people to complete the work. Plaintiffs allege that defendants made false and defamatory statments about them.

The complaint also includes claims for copyright infringement, alleging that the owners and their companies, in completing the work on the buildings, used their designs without permission to construct and operate the buildings with interiors that were “nearly identical or substantially similar” to those designs.

The parties did not dispute that the plaintiffs, through one of their companies, owned registered copyrights in the drawings as pictorial, graphic or sculptural works under 17 U.S.C. § 101 and 17 U.S.C. § 102(a)(5). The court, however, ruled that protection for the drawings themselves does not extend to the contruction of a structure depicted in the drawings. If they had wanted that kind of protection, the court ruled, then they should have registered them as architectural works under 17 U.S.C. § 102(a)(8).

Two kinds of copyrights

The Copyright Act defines “pictorial, graphic, and sculptural works” as “two-dimensional and three-dimensional works of fine, graphic, and applied art, photographs, prints and art reproductions, maps, globes, charts, diagrams, models, and technical drawings, including architectural plans.” 17 U.S.C. § 101 (emphasis added).

It defines “architectural work” as:

“the design of a building as embodied in any tangible medium of expression, including a building, architectural plans, or drawings. The work includes the overall form as well as the arrangement and composition of spaces and elements in the design but does not include individual standard features.”

17 U.S.C. § 101 (emphasis added).

As the language of the Act demonstrates, architectural plans can be registered as pictorial works or as architectural works (or both). This is because an individual who creates an architectural work by depicting it in a drawing will have two distinct copyrights: one in the drawing (section 102(a)(5)) and one in the architectural work (section 102(a)(8)). See T-Peg, Inc. v. Vermont Timber Works, Inc., 459 F.3d 97, 109–10 (1st Cir. 2006)

Scope of protection for pictorial works

A copyright in a pictorial work protects only the drawing itself. It prohibits copying the drawing itself. It does not protect against the construction of a buliding based on the architectural design depicted in the drawing.

Scope of protection for architectural works

Copyright protection in an architectural work extends to the as-built structure.

The distinction may seem confusing, but it makes more sense when it is remembered that copyrights in architectural works are a special kind of copyright, an exception to the usual rule that copyright may only be claimed in expression, not ideas or designs. Ideas about the composition and arrangement of spaces in a building are not protected by a copyright in a drawing of a building. They can only be protected by a copyright in an architectural work.

Derivative works?

The owner of a copyright in a drawing or other expressive work has an exclusive right to make derivative works based on the copyrighted work. A sculpture based on a pictorial work is a derivative work of the pictorial work. A sculpture, in copyright law, is any three-dimensional structure. This could include a building.

Might the owner of a copyright in an architectural drawing who registered it only as a pictorial work be able to argue that constructing a building based on it is the unauthorized makiing of a derivative work, and therefore copyright infringement? What factors should a court consider to assess the viability of such a claim?

Your answers are due by next Friday.*

*Just kidding. This is not a real homework assignment.


Have a question about copyright law? Visit my Copyright FAQs page. Need help registering a copyright? Contact me.

Copyright Fee Changes

On July 14, 2026 the U.S. Copyright Office submitted a proposed new fee schedule to Congress. Changes could be coming in November, 2026. Read what the proposed fee increases are.

On July 14, 2026 the U.S. Copyright Office submitted a proposed new fee schedule to Congress. In accordance with 17 U.S.C. sec. 708(b), Congress now has 120 days to enact legislation disapproving the proposed changes, if it chooses to do so. If no such legislation is enacted, the new fees will go into effect in November, 2026.

The increases are substantial. For example, the fee to register updates and revisions to a database of photographs will be three times what it currently is. The fee to register an album of sound recordings (sound recordings, photographs, artwork, and liner notes) will double. The fee to record a document, such as a notice of termination of a license or transfer of copyright, will more than double. And there is some bad news for website owners and bloggers: The fee to register a group of short online literary works will be twice what it currently is (increasing from $65 to $130). The fee to register updates to a news website will nearly triple (increasing from $95 to $275.)

For an explanation of the Copyright Office’s justifications for the increases, read their Proposed Schedule and Analysis of Copyright Fees (July 14, 2026).

Library of Congress housing the U.S. Copyright oFfice

The Proposed Changes

Registration

One work

  • Single application (Single author, same claimant, one work, not a work made for hire, e-filed): Current: $45. New: $55.
  • Standard application (e-filed): Current: $65. New: $85.
  • Paper filing: Current: $125. New: $185.

Group Of works

  • Contributions to periodicals (e-filed): Current: $85. New: $130.
  • Photographs (e-filed): Current: $55. New: $85.
  • Updates and revisions to a photograph database:: Current: $250. New: $700.
  • Updates and revisions to a database consisting of non-photographic works (paper filing): Current: $500. New: $700.
  • Serials, per issue (e-filed): Current: $35. New: $50.
  • Newspapers or newsletters (e-filed): Current: $95. New: $130.
  • Unpublished works (e-filed): Current: $85. New: $130.
  • Album of musical works (e-filed): Current: $65. New: $85.
  • Album of sound recordings, including liner notes, photographs, artwork, and the sound recordings (e-filed): Current: $65. New: $130.
  • Short online literary works (e-filed): Current: $65. New: $130.
  • Artwork, 2-dimensional (e-filed): Current: $85. New: $130.
  • Updates to a news website (e-filed): Current: $95. New: $275.

Restored Work

Form GATT (paper filing only): Current: $100. New: $165.

Correction or Amplification

  • E-filed: Current: $100. New: $85.
  • Paper filing of correction or amplication of renewal, GATT, or group registration of non-photographic database: Current: $150. New: $185.

Renewal

  • Registration of renewal claim (Form RE): Current: $125. New: $165.
  • Addendum (in addition to renewal registration fee): Current: $100. New: $135.

Mandatory Deposit

Issuance of a receipt for a mandatory deposit: Current: $30. New: $30.

Recordation

Notice of intent to make a cover version

  • Notice of intent to exercise a compulsory license to make and distribute copies of a cover version of a song: Current: $75. New: $100.
  • Additional titles (per group of 1 to 100 titles) (e-filed): Current: $10. New: $15.
  • Additional titles (per group of 1 to 10 titles (paper): Current: $20. New: $25.

Other Documents

This includes, e.g., a transfer of copyright or an interest in one, notice of termination of a license or transfer, notice of the identity of the author of an anonymous or pseudonymous work, notice of the death of an author, and a notice of intention to enforce a restored copyright.

  • Base fee (1 title and/or registration number) (e-filed): Current: $95. New: $215.
  • Base fee for a Notice of Termination (1 title and/or registration number) (paper filing): Current: $125. New: $275.
  • Base fee for all other documents (1 title and/or registration number) (paper): Current: $125. New: $350.
  • Additional transfer (per transfer) under section 205: Current: $95. New: $215.
  • Additional works and alternate identifers: Varies depending on the nubmer of additional works adn wether the filing is electronic or paper.
  • Correction of online Public Catalog data due to erroneous electronic title submission (per work or alternative identifer): Current: $7. New: $10.

Certifications

  • Additional certificate of registration: Current: $55. New: $80.
  • Certification of other records, including search reports (per hour): Current: $200. New: $300.

Search Reports

  • Search report prepared from official records other than licensing records (per hour, two-hour minimum): Current: $200. New: $300.
  • Estimate of search fee (credited to search fee): Current: $200. New: $300.
  • Search report, prepared from licensing records (per hour, one-hour minimum): Current: $200. New: $300.

Conclusion

Until 2014, the maximum fee for a notarization in Minnesota was $1. Since 2014, a Minnesota notary public has been permitted to collect as much as a whole $5 per notarization. The cost to become a notary public in Minnesota is $140 ($120 to the state and $20 to the county), in addition to the cost of supplies (notary stamp, etc.) These fees and expenses must be paid again, periodically, to continue to be one. Nothing is free.

On the trademark front

The USPTO has announced that it will begin transitioning outbound international trademark application filings from the U.S. Trademark Electronic Application System (TEAS) to the World Intellectual Property Organization’s (WIPO) Madrid e-Filing system. All Madrid Protocol filings originating from the USPTO are expected to transition to the WIPO system by October 1, 2026.

Who Decides Distinctiveness?

The United States Supreme Court has granted certiorari to review the decision in Riseandshine Corporation, dba Rise Brewing v. Pepsico, Inc., in which the Second Circuit Court of Appeals held that RISE, although suggestive, is weak as a matter of law. Other circuits have treated distinctiveness as a question of fact for a jury, not a judge, to determine. The Court presumably has granted certiorari to resolve the conflict in the circuits.

Rise Brewing v. Pepsico

The lawsuit

Riseandshine Corporation sells nitro-brewed coffee. It registered a trademark in the phrase RISE BREWING CO. for goods in IC 030, namely, coffee-based beverage products.

Subsequently, Pepsico, Inc. launched a canned energy drink under the mark MTN DEW RISE ENERGY. Riseandshine Corporation obatined a preliminary injunction prohibiting Pepsico from using the word RISE in connection with its beverages. The district court granted the injunction, finding that Riseandshine Corporation had established likelihood of success on the merits of a trademark infringement claim.

To reach this conclusion, the district court considered eight factors that courts have deemed relevant to likelihood of confusion. The strength of the mark is one of those factors. See Polaroid Corp. v. Polaroid Electronic Corp. The district court found that the strength of the mark favored the plaintiff.

Pepsico appealed.

Rise and PepsiCo MTN Dew Rise cans
Rise and Mtn Dew Rise labels, from the complaint

The Second Circuit Reversal

The Second Circuit Court of Appeals reversed, holding that the district court erred as a matter of law in failing to rule that RISE, as a trademark for coffee beverages, is weak. Although it is a suggestive mark, the Court held it is not strongly distinctive.

The Petition for Certiorari

Riseandshine Corporation filed a petition for certiorari with the United States Surpeme Court. The primary contention made in the petition is that the Court of Appeals improperly treated the question whether a suggestive mark is inhernetly distinctive and “strong” as a question of law rather than a question of fact.

The issue is of practical importance because it can mean the difference between disposing of a lawsuit quickly with a pretrial motion for summary judgmnet vs. needing to wait for a jury (or a judge sitting without a jury) to make factual determinations following a trial.

The Five Categories of Distinctiveness

As I have explained elsewhere, there are five categories of distinctiveness: fanciful, arbitrary, suggestive, descriptive, and generic.

fanciful mark is something that is completely made up. Xerox is an example.

An arbitrary mark is one which, although a real word, bears no logical relationship to the product or service. Apple, as a trademark for computers, is an example.

suggestive mark is one that hints at but does not directly describe a quality or feature of a product or service.

A descriptive mark is one that directly describes a quality or feature of a product or service. It does not qualify for trademark protection unless it acquires secondary meaning as an identifier of the source of a product or service. That is to say, unlike fanciful, arbitrary, and suggestive trademarks, descriptive marks are not inherently distinctive. They can become protected as trademarks only if they acquire distinctiveness.

Generic marks identify an entire class of goods or services.

Fanciful, arbitrary and suggestive marks are considered inherently distinctive. A descriptive mark is disintctive only if additional facts exist that demonstrate that it has become known to consumers as a source-identifier. Generic marks are never distinctive.

Consumer Perception

Booking.com

Booking.com is an online travel reservation service. The USPTO intially denied its application for registration of the domain name as a trademark, deeming it a generic term. Booking.com secured review in the U.S. district court for the Eastern District of Virginia, where it introduced new evidence of consumer perception. The district court found that the consuming public does not perceive BOOKING.COM as a genus of services, but as a description of services available at the website. Having found it to be descriptive rather than generic, the court proceeded to find, additionally, that it had acquired secondary meaning as an identifier of a particular source of travel reservation services.

The Court of Appeals affirmed.

Justice Ginsburg, writing for the majority of the United States Supreme Court, also affirmed.

The USPTO argued to the Court that generic terms “are ineligible for trademark protection as a matter of law” – regardless of how consumers understand them. See USPTO Brief in No. 19-46. The Court rejected that contention, holding instead that the question whether a term is generic depends on its meaning to consumers.

Perceiving suggestiveness

In Booking.com, the court found that consumers did not perceive BOOKING.COM as a generic term for any online reservation service. Rather, consumers viewed it as an identifier of a particular provider of such a service. As Justice Ginsburg observed, “if ‘Booking.com’ were generic, we might expect consumers to understand Travelocity—another such service —to be a ‘Booking.com.'” USPTO v. Booking.com, 591 U.S. _, 140 S. Ct. 2298 (2020).

The question before the Court now is whether the same thing is true of suggestiveness. Does the question whether a term is suggestive (as distinguished from descriptive, for example) also depend on its meaning to consumers?

The Court in Booking.com applied a two-step inquiry: (1) First, do consumers perceive a particular word or string of characters as a generic term or a descriptive term? (2) If they view it as descriptive, has it acquired distinctiveness?

Applying this approach in the present case would yield a two-step inquiry something like this: (1) First, do consumers perceive a particular word or string of characters as descriptive or suggestive? (2) If they view it as suggestive, is it automatically distinctive as a matter of law, or is a further determination that consumers perceive it as an identifier of a particular source of a product or service that has the suggested quality or feature necessary?

This, then, is what the question formally presented for review (Is inherent distinctiveness a question of fact or law?) comes down to.

Conclusion

Because this case is a trademark infringement lawsuit rather than a dispute about registrability, the Court has a golden opportunity to explain whether and how distinctiveness analysis differs when considering its existence as a necessary element of a valid (registrable) trademark, on one hand, and when it is considered as just one of several factors to weigh and consider in a likelihood of confusion analysis. It also presents the Court with an opportunity to shed some light on the murky distinction between descriptiveness and suggestiveness. (See, e.g., The False Dichotomy Between Suggestive and Descriptive Trademarks.)